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PraChly, Cambodian-American Survivor, Rap Artist, Educator and Independent Music Label Executive |
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PraChly's success came by accident when his garage-produced rap demo sung in Cambodian and English was pirated in Phnom Penh where it sold an estimated 100,000 copies. PraCh's lyrics detail the Khmer Rouge Regime, the untold facts surrounding the rise of the regime and his experiences as a refugee. His bold lyrics resonated with Cambodian culture primarily because PraCh is now American. PraCh, now 25 is a proud resident of Long Beach, California home to the second largest Cambodian population next to Cambodia itself.
PraCh is on the task force to rename Long Beach "Cambodia Town" where he runs a successful independent record label entitled: Mujestic Records. PraCh's powerful lyrics and original beats have attracted all kinds of rap lovers from California to South East Asia. PraCh is dedicated to making rockin' rap songs with a message. He is a preservationist of his Cambodian heritage, a leader in his Long Beach community and a promoter of other rap artists.
PRACHLY'S UNFOLDING STORY PraChly was just awarded a scholarship to attend the 2005 Masters Program. Known as the delegation, this program facilitated by Arn Chorn Pond includes daily music lessons on traditional Cambodian instruments, meditation and touring of Angkor Wat, the largest Buddhist temple in the world. PraCh will return to Cambodia for this first time since he and his family fled the country just after the fall of the KR regime in the early 80's.
PraCh will sit in meditation in the temples of Angkor Wat, explore the Tonle Sap river and Vietnamese floating village by boat and meet his brother who was left behind when their family moved to the States. |

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Thida Butt-Mam, Cambodian-American Survivor of the Pol Pot Regime |
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Thida is an unusual Cambodian woman. She is outspoken, bold and completely extraverted. Thida laughs recalling how her parents used to scold her for being too loud and free with her thoughts as a child. Thida often talks about how she loves America and how at home she feels here. In the Butt-Mam household located in San Jose, California, Thida's daughter is at Apsara dance class and her son is practicing basketball at the local junior high. Over patê and baguette sandwiches, Thida takes down a photograph of the Cambodian parliament assembled in Phnom Penh. It is dated 1963, just five years before Pol Pot took over the country and sealed it from the rest of the world. Her father, a tall slender man smiles amid the sea of uniformed men. Also in the photograph are Prince Norodom Sihanouk and Khieu Somphon, who went on to become one of the architects of the Pol Pot regime. Thida comes from a well-to-do family and as she describes her life before the Pol Pot regime one would think it was a normal middle class childhood. She enjoyed playing with her sisters and the family dog outside their two story home, meeting her friends in the marketplace on a Saturday morning for rice noodles and listening to her father's stories kneeling near his feet. Although Thida's childhood was peaceful initially, it was soon filled with the spillage of the Vietnam War. Soon after the photograph of the Parliament was taken, U.S. bombs rained down on Cambodia and continued to do so for the next five years. Thida describes the daily stress of the bombings, the growing shortage of food, closure of schools and the marching footsteps of the Khmer Rouge take-over. Through Thida, we learn the personal horrors of the Pol Pot regime and the tragic loss of her father. Today, Thida is a vocal Cambodian-American survivor. Her story has been published in the book To Destroy You Is No Loss and she has been a keynote speaker at dozens of conferences dealing with genocide and the advocacy for a war crimes tribunal in Cambodia. She also appeared on Oprah, sharing her inspiring perseverance in the face of death and her experiences as a refugee in the U.S.
THIDA'S UNFOLDING STORY In January 2005, Thida and her sisters, Rasmei and Mearadey will return to Cambodia in search of her father's remains and the details of his death. They will return to the camp where their entire family endured slave labor during the Khmer Rouge Regime in Khum Speu and seek out their former perpetrators. Thida plans to explore the Documentation Center of Cambodia and interview Youk Chhang regarding any information on her father, Butt Choen. In addition, Thida will visit the Court construction site and travel to the Elephant Mountains with Arn Chorn Pond, a former Khmer Rouge member now dedicated to the preservation and education of traditional Cambodian musical instruments. Thida and Arn will meet with the Hill Tribe people there and listen to their stories of survival.
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Aki Ra, Landmine Clearer and Educator, Former Child Soldier with the Khmer Rouge |
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Perhaps the best possible example of reconciliation within one character is Aki Ra. A young and gentle man, surrounded by happy children and rescued animals, Aki Ra's tenderness and morality is baffling. In 1977, when Aki was just five years old, a Khmer Rouge (KR) leader named ?Poh' swept into Ra's village, murdered his parents and took Aki Ra into the jungle where he was taught to lay landmines. Shortly after being captured by Poh, Ra was captured by the Vietnamese and trained to fight against the KR. Years later, he was once again captured, but this time by the Cambodian army. By the age of twenty-five, Ra had spent twenty years as a soldier. Half-starved and having witnessed many of his friends die, Ra never experienced a "normal" childhood. In recent years, Ra single-handedly cleared mines outside of Angkor Wat thus creating a safe-haven for his home, dozens of other families and the Landmine Museum. Ra's museum is filled with hundreds of anti-personnel mines, grenades and rocket launchers that he has cleared himself.
Today Ra divides his time between the museum and mine clearing. He goes out for days at a time to clear mines discovered by farmers in more rural areas. On occasion, Ra will get the call that mines were discovered and detonated by curious children. Often these explosions will kill those children nearest the mine and maim others. Ra takes in some of the maimed children to offer them a chance at school and a healthy life.
Within the past five years Ra has reconnected with Poh, the former Khmer Rouge leader who captured him as a boy. Poh, who is still armed and living in the jungles of Anglong Veng, welcomes Ra into his camp where Ra teaches Poh's soldiers how to dismantle and destroy the thousands of mines that remain in the Anglong Veng/Thai border area.
RA'S UNFOLDING STORY Ra's Landmine Museum has been temporarily closed due to Siem Reap government corruption. In addition, Ra's clearing methods are seen as dangerous and controversial by other established landmine clearing NGO's such as CMAG and The Halo Trust. Meanwhile, Ra has created the Cambodian Rehabilitation and Landmine Awareness project with Canadian Richard Fitoussi. A production trip to Siem Reap will allow us to check in with Ra to see how his Cambodian Rehabilitation and Landmine Awareness construction is coming along and how his dedication to "quick-and-dirty" clearing methods continue to rid Cambodia of the remaining 2 million landmines ten times faster than that of CMAG or Halo Trust.
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Youk Chhang, Cambodian Survivor and Director of DCCAM (The Documentation Center of Cambodia) |
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One's first impression of Youk is that of a well-scrubbed, organized professional. After spending a little time with Youk, one becomes entranced by his poetic style of speaking and his kind eyes. It's hard to believe that Youk was once a very angry young man. Although he survived the Pol Pot regime, both Youk's sister and father were murdered. Furious at the world for taking away his family members and his childhood, Youk thought retribution was the only way. It was only after long hours of study in one of the many monasteries that Youk came to realize a different path. After studying in the U.S. at the University of Texas and at the Yale Genocide Studies Program, Youk became the Director of DCCAM, an organization dedicated to the aggregation and preservation of Khmer Rouge Regime evidence. Security is so tight that it takes three individuals, two with keys to two separate locks and one with the combination, to open one of the many safes that store ?confessions' from Toul Sleng Prison, testimony and other evidence from the regime.
Youk publishes a monthly magazine entitled Searching for the Truth, which features perpetrator testimony and survivor stories. Youk and his team have also launched a textbook project that explores the possibility that perpetrators are victims too. Their goal is to get survivor stories and their own published books distributed across Cambodia. DCCAM is supported by the Cambodian government and a dozen other countries including the U.S. Defense Department.
YOUK'S UNFOLDING STORY What happens when a DCCAM team goes into a village where perpetrators and victims are living side-by-side to interview the perpetrator? How does the village deal with this individual when the team drives away? With production assistance our crew will accompany Youk and his team when they launch their video testimony project in the poorer provinces of Cambodia.
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The Venerable Yos Hut Khemacaro, Monk who is an outspoken advocate for the Cambodian War Crimes Tribunal as an integral part to understanding, healing and forgiveness.
Arn Chorn Pond, former Khmer Rouge, now a musician and peace-worker dedicated to the preservation and educating of Traditional Khmer musical instruments, now working with the Hill Tribes in the Elephant Mountains of Cambodia.
SEASIA: Tony, Felix and Sam, energetic and very talented Cambodian-American rap group based in Lowell, Massachusetts. Tony, Felix and Sam studied traditional Khmer Music under Arn Chorn Pond through (Cambodian Living Arts) CLA. SEASIA just released their new album From the Killing Fields Chapter 1 and hope to promote it on the streets of Phnom Penh this January 2005. |

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Director, Beth Pielert is a director, cinematographer and editor specializing in social justice documentary film. Most recently she was the 1st Assistant Director and primary camera operator for The Corporation, which garnered dozens of International awards including the Sundance Audience Award for 2004. Beth is also an Apple Certified Final Cut Pro instructor. When Beth is not collaborating with Big Picture, Women's Educational Media, Link TV and The Bay Area Video Coalition (BAVC), she is gearing up to shoot in Cambodia on her feature, Out of the Poison Tree; a film about transitional and transformative justice for Cambodians. |
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Photographer, Jon Hope. As a location photographer Jon has had some interesting photo-shoots. Some of his favorite assignments have included shooting on offshore oil rigs, traveling on a Red Stripe Beer truck in rural Jamaica and flying with parachuting firefighters in Montana. Last year he drove 4000 miles from London to West Africa in an old Citroen 2CV raising money for MAG (Mines Advisory Group) a Nobel Peace Prize winning NGO that clears land mines and unexploded bombs around the world. Jon's work can be found in magazines in Europe, UK, USA and Japan. |
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Director of Photography, Fawn Yacker has been the Director of Photography on Academy Award-winning documentaries such as Deadly Deception, Debra Chasnoff's expose on General Electric's involvement with nuclear arms production and Allie Light's and Irving Saraf's portrait of the San Francisco Opera's choristers, In The Shadow Of The Stars. In addition, Fawn has DP'd dozens of other pieces for clients such as MTV, BBC, KQED, ORACLE and the Bank of America. Fawn recently completed co-directing That's A Family!, part one of the three-part series Respect For All. The segment celebrates the many different expressions and components of a family. |
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Production Manager, Jannette Eng has served as a producer and associate producer for several San Francisco-based documentaries, including Producer for Refugee, a documentary film about Cambodian youth from San Francisco's Tenderloin District. Jannette was the Associate Producer on Respect for All, an educational series aimed at teaching school-aged kids tolerance for diversity from the Academy Award-winning Women's Educational Media and Race: The Power of an Illusion, a three-part PBS series that challenges commonly held notions about race. Eng has also worked as a consultant for various independent films, such as the Academy Award-nominated Daughter from Danang and was a production manager at the Independent Television Service (ITVS). She is a past recipient of the McKnight Screenwriting Fellowship through the Playwright's Center in Minneapolis, Minnesota. |
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Associate Producer, Chenda Peach Ngak is a Los Angeles based writer. Raised in the Bay Area, she has lived in San Jose, San Francisco and New York City. She has held editorial positions at Ghent Magazine, EM Literary Magazine, and Transfer Magazine. Her poetry has recently been published in the debut issue of 10003 Magazine. The story of her family's escape from the Khmer Rouge in 1979 and the process of assimilating into American society have been documented in the non-fiction books To Destroy You Is No Loss and Bamboo and Butterflies: From Refugee to Citizen, respectively. |
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Editor, Kim Roberts most recent accomplishments include editing Daughter From Danang, a 90-minute documentary about an Amerasian girl's return to Vietnam to meet her birth mother. Funded by ITVS, NAATA, and Soros Documentary Fund, Daughter From Danang premiered at Sundance in 2002 and was picked up for national broadcast on PBS's American Experience. Kim started her editing career on Deborah Hoffmann & Frances Reid's Long Night's Journey Into Day as the second editor for the 90-minute documentary about the Truth and Reconciliation Commission in South Africa. The film was nominated for an Academy Award, won Grand Jury Prize at the Sundance Film Festival, 2000, and had a limited theatrical release in addition to an HBO broadcast in 2001. |
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Advisor, Mark Skvirsky is the National Program Director at Facing History and Ourselves. He coordinates all aspects of Facing History's implementation with schools and communities and facilitates cooperative efforts with other youth service agencies. He is a frequent speaker at universities and national and international conferences on curriculum innovation, community service and education, models for citizenship education, and teaching adolescents about racism, anti-Semitism, and violence. He has been a consultant to PBS on The American Experience series and for several commercial television programs on racism and anti-Semitism. |
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Consultant, Suzanne Stenson O'Brien has worked for 15 years to foster social change collaborations. Since 1992, she has focused on social action media and strengthening underrepresented community-based movements. From 1995 - 1997 Suzanne was ITVS's former Outreach Manager and Executive Manager of Institutional Development. Her many grassroots and public television credits include: outreach coordination for Regret To Inform, American High, Kontum Diary, First Person Plural, Born In The USA, and most recently, Brother Outsider: The Life of Bayard Rustin, and The Good War And Those Who Refused To Fight It. Other affiliations Suzanne holds are Associate for Research and Development with Working Films and At-large Board Member, Friends Peace Teams Coordinating Committee. She is a previous board member of the Robeson Fund for Independent Media, and has been published in several collections about activist media and social change. |
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Editorial Advisor, Jennifer Abbott is a documentary maker, cultural activist and editor with a particular interest in producing media that shifts perspectives on problematic social norms and practices. In addition to co-directing and editing The Corporation, she produced, directed and edited A Cow at My Table, a feature documentary about meat, culture and animals, which won 8 international awards. Her other past works include the experimental short and video installation about interracial relationships Skinned which toured North America and Europe including New York's Museum of Modern Art. Abbott has also edited numerous documentaries, installations and performance works including Two Brides And A Scalpel: Diary of a Lesbian Marriage, produced by Mark Achbar. She is the editor and a contributing writer for the book Making Video "In": The Contested Ground of Alternative Video on the West Coast. She lives on Galiano Island. |
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Webmaster, Tommi West is a web designer, filmmaker and graphic artist living in San Francisco. She studied acting and directing at American Conservatory Theatre. Tommi became interested in filmmaking while working in the film-to-tape transfer department at Monaco Labs and Video. Her 16mm short film Amazona: The Last Dinosaur was selected to be shown on Bravo's Independent Film Channel. Tommi worked at Macromedia for six years maintaining the support section of the web site. At present she is enrolled in the Video Graphics Certificate program at Bay Area Video Coalition, studying motion graphic design and editing. Tommi is currently working as a freelance web designer, as well as designing window displays and collateral materials. |
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m u j e s t i c : 2008
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